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Chapter 3
In Hans Jakob Fuggers’s Service
3.1 Hans Jakob Fugger
Strada’s first contacts with Hans Jakob Fugger, his chief patron for well over
a decade, certainly took place before the middle of the 1540s. As suggested
earlier, the possibility remains that Strada had already met this gifted scion
of the most illustrious German banking dynasty, his exact contemporary, in
Italy. Fugger [Fig. 3.1], born at Augsburg on 23 December 1516, was the eldest
surviving son of Raymund Fugger and Catharina Thurzo von Bethlenfalva. He
had already followed part of the studious curriculum which was de rigueur in
his family even before arriving in Bologna: this included travel and study at
foreign, rather than German universities.1
Hans Jakob, accompanied on his trip by his preceptor Christoph Hager, first
studied in Bourges, where he heard the courses of Andrea Alciati, and then fol-
lowed Alciati to Bologna [Fig. 1.12]. Doubtless partly because of the exceptional
standing of his family—the gold of Hans Jakob’s great-uncle, Jakob ‘der Reiche’,
had obtained the Empire for Charles v—but certainly also because of his per-
sonal talents, Fugger met and befriended a host of people of particular political,
ecclesiastical or cultural eminence—such as Viglius van Aytta van Zwichem,
whom he met in Bourges and again in Bologna—or later would ascend to high
civil or ecclesiastical rank. His friends included both Germans, such as the
companion of his travels and studies, Georg Sigmund Seld, afterwards Reichs-
vizekanzler, his compatriot Otto Truchsess von Waldburg, afterwards Cardinal
and Prince-Bishop of Augsburg [Fig. 1.14], and Wigulaeus Hund, later Chancel-
lor of the Duke of Bavaria. Among the Italians he met we find the young Ales-
sandro Farnese, the future Cardinal [Fig. 1.15], and Cristoforo Madruzzo, after-
wards Prince-Bishop of Trent; another fellow student was Antoine Perrenot de
Granvelle, afterwards Bishop of Arras, Cardinal, secretary of state of Emperor
Charles v and King Philip ii of Spain and Viceroy of Naples [Fig. 1.13].2
1 The following biographical sketch is chiefly based on Maasen 1922, supplemented by infor-
mation from Hartig 1917, pp. 193–223 and passim; Lehmann 1956–1961, i, pp. 41–73 and pas-
sim; Kellenbenz 1980. The volume on Hans Jakob and his cousins as patrons of the arts in the
series Die Fugger und die Kunst promised in the Preface of Lieb 1958, p. vii, has never ap-
peared. A full biography of Hans Jakob Fugger remains one of the major lacuna in the history
of the German Renaissance.
2 On Alciati and on the circle of students Fugger later met in Bologna, cf. Ch. 1.3. It should
be noted that the Fuggers of Hans Jakob’s generation were considered as nobles (if not as
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542