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455The
Neugebäude
architectural features, which would be reused to some extent in the embellish-
ment of Schönbrunn.32
9.6 The Personal Involvement of Emperor Maximilian ii
Both written sources and the building itself provide evidence that the Emperor
closely followed the development of his new project. His assiduous personal
involvement is reported by the Mantuan envoy, Guglielmo Malaspina, in a let-
ter to his master written in April 1569:
After the dispatch of business His Imperial Majesty attends to a garden
he is newly planting, and it seems that he spends as much time there as
he can spare from business in which he is involved, for he doesn’t care
about wind or rain, but continuously goes to that place; the Duke of Ferr-
ara has sent him several crates of trees, and likewise Archduke Ferdinand,
considering this is his [the Emperor’s] [principal] pastime.33
Maximilian’s personal interest is mentioned in similar terms by the Venetian
ambassador, Giovanni Michiel, in a dispatch of 1571; discussing Maximilian’s
occupations, he relates that at present the Emperor:
<…>has another one, which is greatly to his taste, and in which he spends
all the time he can spare from business; this is the building of a garden,
half a league from Vienna; which will be, once it is finished, of truly regal
and imperial aspect.34
32 The later history of the complex is summarized in Lietzmann 1987, pp. 82–101, and
Kefelder 2010, pp. 26–71; on the Schönbrunn connection, see Knöbl 1988; Holzschuh-
Hofer 1990; Dahm 2002; Dahm 2003.
33 Vienna, 13 April 1569; ASMn, Archivio Gonzaga, busta 451, filza i -3, ff. 115–117; published
in Venturini 2002, nr, 48, p. 197. The formulation is not quite clear: ‘Sua maestà cesarea
atende doppo gli negocii a un giardino che pianta di nuovo et tanto vi atende che par
che possa robar tempo alli negocii in che assiduamente si trova, che non cura né di ven-
to né di pioggia, ma continuamente va a questo luocho; il duca di Ferara li ha mandato
parechie casse d’arbori insseriti, medemamente l’arciduca Ferdinando a tal che questo è
il suo passatempo<…>’.
34 Fiedler 1870, p. 280, as cited in Lietzmann 1987, pp. 34–35: ‘al presente [ha] un altra
[occupazione], di grandissimo suo gusto, nella quale vi mette tutto quel più tempo, che può
robbare alli negotij, che è la fabrica d’un giardino, una meza lega lontano da Vienna; cosa
per dover riuscire, finita che sia, regia veramente et imperiale’.
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Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542