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137In
Hans Jakob Fugger’s Service
Jakob Fugger refers to his first-hand experience of, and his full confidence in
Strada’s competence in the field of architectural design.49
3.5 Strada’s Trips to Lyon
Strada’s first visit to Lyon took place in 1550, according to the preface to his edi-
tion of Serlio’s Settimo Libro. The primary motive of his trip was presumably his
desire to make the first arrangements for the publication of his Epitome thesau-
ri antiquitatum, and probably during this first sojourn he found a partner—the
Netherlandish bookseller Thomas Guérin—to finance the printing, and came
to some provisional agreement with the printer, Jean de Tournes; with the
wood-engraver, probably Bernard Salomon; and with Jean Louveau, the author
of the French translation [Figs. 3.20–3.22].50
At first sight it seems odd that Strada should have decided to print his book
in Lyon, where Fugger—who probably bore part of the expense—had no
commercial contacts, instead of other centres of printing such as Frankfurt,
Nuremberg, or Venice. The reputation of its printers cannot have been the sole
motive of Strada’s choice: though it might have been difficult to find a wood-
engraver of a sufficiently advanced style in Germany, in Venice he certainly
would have. Perhaps just because the Fugger, unlike other German bankers,
were not represented in Lyon—they were too closely tied to the Habsburg in-
terest to maintain branches in France—Hans Jakob was glad to create an op-
portunity to establish or renew contacts with a major intellectual centre in
Europe, and to obtain the material for his library and collection (books, manu-
scripts, medals, perhaps other antiquities) that Strada could select for him.
3.5.1 The Humanist Circle in Lyon
Through his Italian connections, Strada must have been aware of the wealth
and intellectual life of the town, which boasted a veritable colony of merchants
and bankers from Florence, Lucca, Lombardy and Genoa, with some of whom
he may have had contacts. Like many other Nuremberg merchants, Strada’s
acquaintance Willibald Imhoff did maintain very close ties with Lyon, and may
49 Doc. 1568-11-13: Hans Jakob Fugger to Strada, Taufkirchen, 13 November 1568. If the Donau-
wörth Stübchen and portals were designed by Strada, than so were at least some of the
ceilings in the Fugger castle at Babenhausen, which are stylistically very close (lieb 1958,
Figs. 209–210).
50 For more detailed information on Strada’s activities as a publisher, see Jansen 2004; and
below, Ch. 14.
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Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542