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Chapter
4210
household, and that a salary should be fixed.37 But the first record of payment
we have dates only from a year later, when he received his annual salary of 200
Gulden. This was the remuneration that a month later, 31 January 1560, was
decided upon when Ferdinand finally granted him an official appointment:
not, it should be noted, as Imperial Antiquary, but as ‘ein Baumeister bey
unsen Gebewen alhier’: an architect for the Imperial buildings in Vienna.38
Only in 1563, shortly before Ferdinand’s death, Strada would be accorded a
second Pension or Dienstgeld of 100 Gulden, in the capacity of ‘Diener und
Antiquarius’, servant and antiquary.39 So Strada had finally realized his am-
bition to obtain the patronage of the principal secular ruler of Christianity.
He would serve Ferdinand i and his successors in his double capacity un-
til 1579, when he resigned his court-appointments; having settled in Vienna,
he soon acquired a house of his own, and would remain there for the rest of
his life.
4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen”:
Strada’s Tasks at Court
4.3.1 Introduction
Strada’s decision to move to Vienna indicates that he highly appreciated the
Imperial patronage which he had obtained, and which he managed to retain
for twenty years. I have elsewhere discussed the advantages it brought him, by
reviewing the instruments of patronage available to Ferdinand and Maximil-
ian and listing their application in Strada’s case.40 Though where men of letters
and learning, artists, musicians, and so on were involved, the criteria governing
their application may have deviated from the norm, these instruments were
essentially the same as those employed to bind any potentially useful servant
to the ruler, or to reward the achievements of any deserving subject. As in oth-
er cases, the patronage Strada enjoyed was partly composed of a string of small
favours and privileges, the cumulative importance of which counterbalanced
the periodical remuneration he received. Yet the salary or pension remained
the most important single element of the reward, because it was the most for-
mal expression of the relationship existing between patron and ‘client’. As such
37 DOCS. 1558-10-00, 1558-11-00 and 1558-11-24; from the latter it transpires that Hans Lauten-
sack had supported Strada’s request, or had been asked for comment.
38 DOC. 1559-12-20 and 1560-01-31.
39 DOC. 1563-00-00.
40 Jansen 1988<c>; slightly revised English version: Jansen 1992.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542