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Introduction10
treatise, but he did comment on Strada’s drawings in a letter to his learned
colleague Basilius Amerbach the Younger. Occo had admired the richly bound
volumes of numismatic drawings that Strada had provided to Duke Albrecht v
of Bavaria, and reports the fabulous price of a ducat that Strada was paid for
each of these splendid drawings. Though Occo is sceptical about the veracity
of many of the drawings, he yet deems it a precious treasure, truly befitting a
prince.10
Strada had made the huge folio volumes of numismatic drawings com-
mended by Occo for the Emperors Ferdinand i and Maximilian ii—these were
preserved in the Imperial library in Vienna—and for Hans Jakob Fugger and
Duke Albrecht v of Bavaria: these later ended up as spoils of war in the library
of Duke Ernest the Pious of Saxe-Gotha-Altenburg at Gotha. In both places
they excited the interest of the officials locally responsible, such as the learned
statesman Veit Ludwig von Seckendorf. Appointed librarian at Gotha in 1654,
when he was hardly twenty years old, he had meanwhile been promoted to
Privy Councillor of the Duchy. In a letter to Johann Andreas Bosius of 5 De-
cember 1657 he gave a summary description of Strada’s volumes, of which the
Duke had given him the first three to study, and added some critical notes on
their contents. This letter became publicly known only in 1714, when it was
transcribed in its entirety in the catalogue entry for the Strada manuscripts
in Ernst Salomon Cyprian’s Catalogus Codicum manuscriptum Bibliothecae Go-
thanae, together with a full transcription of Strada’s preface annexed to one of
the Gotha volumes.11
The related volumes of Strada’s numismatic drawings preserved in the Im-
perial Library in Vienna were of easier access than those in Gotha. In his travel
diary Charles Patin [Fig. 0.9] relates how he once had been received by Em-
peror Leopold i [Fig. 0.7], who had allowed him free access to the Imperial
Library where, among its inexhaustible treasures, he had particularly admired
10 Quoted in Patin 1683, pp. 188–189. Occo’s own treatise, Impp. Romanorum nvmismata a
Pompeio Magno ad Heraclivm, was printed in Antwerp by Plantin in 1579 (occo 1579).
Other references and comments to Strada’s printed numismatic books crop up in sev-
eral specialized bibliographies, such as the Bibliotheca nummaria by the Jesuit Philippe
Labbé, first published in 1664. However, Labbé created a bibliographical ‘ghost’: a ‘The-
saurum antiquitatum, sive imperatorum romanorum orientalium et occidentalium Icones
ex antiquis numismatibus delineatae absque aversis illorum partibus, Lugduni anno 1551,
in 4o’, of which no copy has ever been found. It seems likely that he either quoted from a
copyright privilege or from the title page of a lost manuscript (Labbe 1675).
11 Cyprian 1714, cat. nrs. 239–263, pp. 83–87; he also included verbatim a passage describing
these volumes in Burckhard Struve’s Introductio ad notitiam rei litterariae et usum biblio-
thecarum [Struve 1704, pp. 13–14], and gives the title of a ms. by Ottavio Strada [Cyprian
1714, cat. nr 178, p. 75].
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Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542