Page - 56 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1
Image of the Page - 56 -
Text of the Page - 56 -
Chapter
�56
boy of his background who had demonstrated a particular intellectual ability.
According to Josef Svátek, who did not cite his sources, Strada had studied
at Pavia and Bologna, an assertion for which I have found no confirmation.
Yet the possibility cannot be excluded, and it is corroborated by the fact that
Strada is occasionally referred to as ‘il dottor Strada’.26 His presence in Bologna
in the 1530s would be particularly significant: should he have studied there,
he could have first met there at least some of the contemporaries with whom
he would rub shoulders later in his career. One thinks of his later patron Hans
Jakob Fugger; of Georg Sigismund Seld, afterwards as Reichsvizekanzler an
extremely powerful member of the Imperial Court; of Otto Truchsess von
Waldburg, afterwards Cardinal and Prince-Bishop of Augsburg [Fig. 1.15]; of
the young Antoine Perrenot de Granvelle, soon to be Bishop of Arras [Fig. 1.14];
of Paul iii’s grandson, Cardinal Alessandro Farnese [Fig. 1.16], and of the Span-
ish scholar Antonio Agustín [below, Fig. 3.89].
Either at Bologna or Pavia he could have followed the courses of Andrea Al-
ciati, the most celebrated specialist of Roman law of his time [Fig. 1.13]. Alciati’s
profound interest in the purely antiquarian aspects of classical studies was at
least partly responsible for the great advance in antiquarian studies in the
1540s and 1550s, to which several of his students—such as Agustín—
notably
contributed.27 Such training and such contacts would have contributed to the
26 Svátek 1883, p. 329. In his letters to Hans Jakob Fugger Niccolò Stopio sometimes refers
scathingly to Strada as ‘il dottor Strada’, probably intended as a sarcasm [f.i. 19 October
1567, BHStA-LA 4852, fol. 80/74]; Jacopo was moreover probably identical with the ‘Dot-
tore Strada’ whose presence was requested by some noblewomen of Mantua as a witness
to their—forced—abjuration; probably this increased his troubles with the Inquisition;
cf. Pagano 1991, pp. 7 and 16, n. 32.
27 On Alciati, see Abbondanza 1968. Alciati came to Pavia in 1533 from Bourges, taught at
Bologna from 1537 until 1541, when he returned to Pavia. Fugger and Seld, who had already
studied with Alciati in Bourges, arrived in Bologna in 1534. Alciati—who maintained
contacts with many other learned Germans, such as Konrad Peutinger and Bonifazius
Figure �.�3–�.�6 Andrea Alciati flanked by some of his pupils, Cardinals Antoine Perrenot
de Granvelle, Otto Truchsess von Waldburg and Alessandro Farnese; in
later life Strada would be in personal contact with all of these.
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542