Page - 85 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1
Image of the Page - 85 -
Text of the Page - 85 -
85Travel—Wenzel
Jamnitzer
his most serious opponent, Charles v, who invested him with the marquisate
of Marignano, and subsequently made grateful use of his military experience.
The Marquis conducted the Imperial armies in France, Flanders, Hungary and
Germany, and crowned his career—in the year of his death—with the con-
quest of Siena on behalf of his Florentine namesake, Cosimo i, who in con-
sequence allowed the Milanese Medici to assume the arms of the Florentine
dynasty. Their version of the Medici palle was, like its Florentine counterpart,
crowned with the tiara, when in 1559 Marignano’s saintly brother Giovanni An-
gelo was elected to the Chair of St. Peter’s, taking the name Pius iv.
Unfortunately, not much is known of Marignano as a patron of the arts,
though it is not impossible that he shared some of the tastes of his erudite
and intelligent brother: Pius iv commissioned Leone Leoni to execute Mari-
gnano’s tomb in the Duomo in Milan, reconstructed the family palace in the
Via di Brera, and as a patron is best known for the refined and elegant Casino
that Pirro Ligorio built for him in the Vatican Gardens.41 Marignano’s decision
to commission an ambitious piece of representative silverware at this rather
41 The modest extensions added to the Marignano country residence at Induno Olona cer-
tainly do not presuppose tremendous patronage; see ‘Induno Olona, Frascarolo: Villa
Medici di Marignano’, in Langé / Vitali 1984, pp. 134–143. On Marignano, see: Bignami 1925;
Ravegnani Morosini 1984, pp. 308–309; Giannini 2009. On the Casino Pio, see Fagiolo /
Madonna 1972(a) and Fagiolo / Madonna 1972(b); Smith 1977; Smith 1988; on Leoni’s proj-
ect for the tomb of the Marquis of Marignano, which—according to Vasari—was based
Figure 2.9 Gian Giacomo de’ Medici, Marquis of Marignano, the statue of his tomb
by Leone Leoni commissioned by his brother, Pope Pius iv; Milan,
Cathedral.
Figures 2.10–2.11 Wenzel Jamnitzer, The so-called ‘Merkelsche Tafelaufsatz’ and its case, ca.
1548–1549; Amsterdam, Rijksmuseum.
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542