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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1
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Chapter 3166 the Fugger vigna in Anton Francesco Doni’s treatise Le Ville of 1559.103 The ef- fect of Hans Jakob’s importance as a politician close to the Emperor, and as an intellectual and patron in his own right, was enhanced by his personal ac- quaintance with various eminent personalities, such as Cardinals Farnese and Granvelle. His recommendation alone would have opened almost any door in Rome, but Strada had taken care to be able to present some evidence of his own virtù: as we have seen, he probably carried with him the first copies of his Epitome thesauri antiquitatum. Perhaps on the strength of this Strada obtained the title of Civis Romanus, which was granted to him by the Roman Senate in April 1555, though the decision is motivated merely by the statement that Strada and thirteen other ‘signori nobili forestieri <…> con instantia desidera- no esser creati cittadini Romani’: rather a contrast with the explicit praise for his numismatic labour that motivated the decision to grant the citizenship to Hubertus Goltzius some years later.104 Nonetheless Strada prized the title so much that he not only used it on the title pages of the books he printed, but hardly ever omitted it even when signing his correspondence. Unfortunately it is not known what sponsors had supported Strada’s re- quest, if any were deemed necessary. But from other sources we can gather some information about the people with whom Strada established and main- tained contact during his residence in Rome. In some rather literary passages in the prefaces of the books he published Strada sung the praise of the Papal court as a centre or academy of scholarship and erudition, passages sufficient- ly interesting to paraphrase here. In his preface to Onofrio Panvinio’s Epitome pontificum Strada says, for instance: In those days there were in Rome many noblemen, members of the Curia Romana and the Papal Household, and others, who were greatly interest- ed in the history of the Popes, and to them Panvinio habitually referred any doubtful points or tricky questions he met with in his research. Chief 103 A manuscript illustrated version of the first book of Doni’s treatise, dated 1559 and en- titled La villa Fucchara is preserved in the bsb-hs, Cod. Ital. 36; cf. Bauer-Eberhardt 2007, pp. 97–115 104 Doc. 1555-03-18. On the honorary citizenship of Rome, see Gregorovius 1877; Goltzius was created a Roman citizen on 7 May 1567, with explicit reference to his merits for the Ro- man ‘res publica’ [Rome, Archivio Capitolino, Camera Capitolina, credenza 1a, tomo 1o, fol. 91v.]. Pirro Ligorio, himself a Neapolitan nobleman, doubtless far better known in Rome and better respected as an antiquary, and who could easily have found the neces- sary sponsors, was accorded the citizenship only in 1560 (Gregorovius 1877, p. 29). The grant to Strada probably reflects his financial means and the stature of his patron (Fug- ger) as much, or more, than his own prestige as an antiquary.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 1
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
1
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
572
Categories
Biographien
Kunst und Kultur

Table of contents

  1. Preface XV
  2. Acknowledgements XVIII
  3. Acknowledgments of Financial Support Received XXI
  4. List of Abbreviations XXII
  5. Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
    1. 0.1 The Portraits of Jacopo and Ottavio Strada 1
    2. 0.2 Why are These Portraits so Special? 4
    3. 0.3 Motions of the Mind 4
    4. 0.4 What is Known About Strada: Early Notices 9
    5. 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
    6. 0.6 Kulturgeschichte before World War II 19
    7. 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
    8. 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
    9. 0.9 Contemporary Scholarship 25
    10. 0.10 What Has Not Been Written on Jacopo Strada 37
    11. 0.11 Weaving the Strands Together: The Purpose of this Study 39
  6. 1 Early Years: Family Background, Education, Giulio Romano 45
    1. 1.1 Family Background 45
    2. 1.2 Mantua and the Gonzaga 50
    3. 1.3 Formal Education 54
    4. 1.4 Artistic Training 57
    5. 1.5 Giulio’s Collections 60
    6. 1.6 Early Training as a Goldsmith? 63
    7. 1.7 Significance of his Mantuan Background for Strada’sDevelopment 65
  7. 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
    1. 2.1 Early Travels 67
    2. 2.2 Residence in Germany 69
    3. 2.3 The Landshut Hypothesis 71
    4. 2.4 Romance in Franconia: Strada’s Marriage and his Settling in Nuremberg 79
    5. 2.5 Strada and Wenzel Jamnitzer 83
  8. 3 In Hans Jakob Fuggers’s Service 107
    1. 3.1 Hans Jakob Fugger 107
    2. 3.2 Fugger as a Patron and Collector 114
    3. 3.3 Fugger’s Employment of Strada 121
    4. 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
    5. 3.5 Strada’s Trips to Lyon 137
    6. 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
    7. 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
    8. 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
    9. 3.9 Departure from Rome 183
  9. 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
    1. 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
    2. 4.2 The Controversy with Wolfgang Lazius 200
    3. 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
    4. 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
    5. 4.5 Conclusion 248
    6. 5 Jacopo Strada as an Imperial Architect: Background 251
    7. 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
    8. 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
    9. 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
    10. 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
    11. 5.5 The Architectural Infrastructure at the Imperial Court 319
    12. 5.6 Strada’s Competence as an Architect 331
  10. 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
    1. 6.1 The Hofspital 340
    2. 6.2 The Tomb of Maximilian I in Innsbruck 343
    3. 6.3 Interior Decoration 350
    4. 6.4 The Tanzhaus 352
    5. 6.5 The Stallburg 355
  11. 7 An Object Lesson: Strada’s House in Vienna 367
  12. 8 The Munich Antiquarium 383
    1. 8.1 The Commission 383
    2. 8.2 The Design of 1568 391
    3. 8.3 The Concept 393
    4. 8.4 Strada’s Project: The Drawings 398
    5. 8.5 Strada’s Project: The Building 401
    6. 8.6 The Interior Elevation 407
    7. 8.7 The Exterior Elevation and its Models 411
    8. 8.8 Conclusion: Strada’s Role in the Creation of the Antiquarium 421
  13. 9 The Neugebäude 430
    1. 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
    2. 9.2 Kaiserebersdorf and Katterburg 432
    3. 9.3 Sobriety versus Conspicuous Consumption 437
    4. 9.4 Hans Jakob Fugger’s Letter 438
    5. 9.5 Description of the Complex 441
    6. 9.6 The Personal Involvement of Emperor Maximilian II 455
    7. 9.7 Ottoman Influence? 463
    8. 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
    9. 9.9 Classical Sources: Monuments of Ancient Rome 480
    10. 9.10 Contemporary Italian Architecture 489
    11. 9.11 Strada’s Contribution 500
    12. 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
  14. 10 Other Patrons of Architecture 514
    1. 10.1 The Courtyard of the Landhaus in Graz 514
    2. 10.2 The Residence for Archduke Ernest 517
    3. 10.3 Other Patrons: Vilém z Rožmberk 520
    4. 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
    5. 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
    6. 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
    7. 10.7 Conclusion 542
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Jacopo Strada and Cultural Patronage at the Imperial Court