Page - 199 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1
Image of the Page - 199 -
Text of the Page - 199 -
199Tasks
at the Imperial Court
The Fasti et triumphi on the other hand, presenting a scholarly edition of
the most important Roman inscription in existence, the Fasti Capitolini, was a
book of far wider potential appeal and far greater utility [Figs. 4.6–4.7]. It was
moreover a much more bulky volume, and more sumptuously printed. That
Strada chose to dedicate this volume to Maximilian, rather than to the Em-
peror himself, can perhaps be explained by Maximilian’s by this date generally
known disaffection of Roman Catholicism: it would have lacked tact to pres-
ent him with a book on the history of the Popes. Yet the dedication indicates
that, after having established contacts with his father and his younger brother,
Strada also wished to excite the interest of the young King of Bohemia and pro-
spective Emperor. It seems to me that this was both because he had sanguine
hopes of employment from this unusually erudite prince, and because he may
have felt a deeper personal attraction for his aspirations and his character. Lit-
tle as one can know about the personal sympathies of either, partly for lack of
relevant sources, partly because of the veil under which a Renaissance prince
had to hide his personal preferences, it seems that there was a sincere mutual
esteem between them. This is suggested by Maximilian’s later acts of patron-
age and the personal interest he would show in Strada’s projects, as well as by
the despair Strada expressed when referring to Maximilian’s death, which had
shattered his fondest hopes of lucrative patronage.
Strada would not meet Maximilian in person until a year later, after he set-
tled in Vienna in April 1558. We have no indication of the king’s response to
the book that was dedicated to him. But it is clear that his father had been
impressed by Strada’s capacities. Though we do not know what contacts, if
any, Strada maintained with the Emperor during the rest of the year, from
a request Strada presented to Ferdinand, dated Nuremberg 12 February 1558,
we know that he had not been forgotten. The Emperor was staying in Nurem-
berg on his way to the forthcoming Kurfürstentag at Frankfurt, during which
the Electors were to confirm Ferdinand as Charles’ successor as Emperor. Not-
withstanding his doubtless pressing political engagements, Ferdinand took
the trouble to visit Strada’s house and to see his collection or Musaeum. Oddly
enough Strada appears not to have been present in person, since he did not
know what objects exactly the Emperor had inspected.18
18 DOC. 1558-02-12. The letter is not quite clear. It cannot be excluded that the visit Strada
refers to had taken place on an earlier occasion: in that case probably during Strada’s
absence when overseeing the printing of Panvinio’s books in the late spring of 1557, for
instance when Ferdinand travelled to Prague after the Diet at Regensburg, which closed
on 17 March. But it is clear that Strada had been received in audience shortly before writ-
ing his letter, and he hoped to receive a reply before Ferdinand’s departure planned for
the day after.
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542