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at the Imperial Court
Lazius was an important man: a professor of medicine at Vienna University,
he was well known for his researches in the ancient history of the Austrian ter-
ritories, and was particularly esteemed by its rulers, who appointed him Impe-
rial Historiographer and a member of the Reichshofrat or Aulic Council of the
Empire. But it appears that his practical experience of classical numismatics
was rather limited, and Strada immediately detected several serious mistakes
in the sample he was shown.22 Ferdinand had asked him to take text and proofs
home with him, and ‘after having carefully read these two gatherings, and hav-
ing seen the images of the medals’, he strongly advised the Emperor not to pro-
ceed in the matter before having heard his opinion, when ‘I will show you with
arguments that otherwise the money is wasted, and not without censure of any-
one who will see it’. Though Strada claimed that he did not like to speak ill of
the work of others, he felt the Emperor’s command obliged him to speak his
mind, and he did not hesitate to offer Ferdinand to undertake the necessary
corrections. In fact he probably considered the matter a heaven-sent opportu-
nity to press his concrete services on the Emperor. He added that the second
part of his manuscript on Republican coinage, promised when he presented
Ferdinand with its first volume, would be ready within two months, ‘and will
be much better than the first one’. But he also offered to finish on his behalf
another work which Ferdinand had seen in his studio (probably a similar work
on imperial coinage, the Series Imperatorum), ‘if I am accorded some fair finan-
cial compensation, so that I can maintain my small family’. In fact he wished
for nothing better than to spend his time in Ferdinand’s service, ‘preparing for
him my works, which would be the equal of those made in Rome, where I have
learned this science [of numismatics]’. In a beautiful phrase he requested a
decision of the Emperor: ‘Hora se la Maestà Vostra li piace di acetarmi nel nu-
mero de li suoi virtuosi, del canto mio farò ogni debito per farmi honore’: ‘So
if it would please Your Majesty to accept me among his learned men, I on my
side will do everything I can to merit honour’. Claiming that he wished to leave
Nuremberg anyway and return to Italy, Strada finally pressed Ferdinand for a
reply before his departure, scheduled for the next day.
4.2.2 Strada’s Letter to Martin de Guzmán and his Move to Vienna
Strada presented his request in person, but Ferdinand wisely did not commit
himself as yet. But he did give Strada permission to correct the mistakes he
had spotted in the sample of the catalogue. Two weeks later Strada sent the
material back to the Emperor, by now in Frankfurt, and repeated his request.
In it he refers Ferdinand to a more detailed account of his findings given in
22 DOC. 1558-02-12; transcribed in App. 3a.
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Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542