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Chapter
4216
preserved in the Österreichische Nationalbibliothek appear to have been an
explicit commission. Basically they should be regarded as an alternative to
the catalogue raisonné of the Imperial coin collection that—as we have seen
above—was never realized. It is not known when exactly they were presented
to the Emperor, but in December 1575 Strada first applied to be paid for them.
He had to repeat this request many times, and only in August of 1577 Rudolf
ii accorded him 600 Thaler, exactly the same amount per volume that he had
received as Ehrengeschenk for the earlier volumes.54 It is not clear whether this
sum was actually paid, and it may be that an unusual draft on the revenue of
Silesia granted him in November of the same year, for which no motivation
is given, represents the payment due to him.55 Nonetheless even in the 1580s
Strada still had to sue for payment of his outstanding dues from the Hofkam-
mer, including both the arrears of his salary and the payment for books pro-
vided: the latter referring either to the manuscript volumes of the Series or,
perhaps more likely, to books from his studio that he had provided to the Hof-
bibliothek or to the Emperor, Rudolf ii, himself.56
4.3.3 Was this Really All? Locating the Blank Spots on the Map
Altogether this list is rather modest: in twenty years of service Strada had three
times advised on important projects, produced an estimate of a fourth, and
rendered an unspecified service in connection with a fifth. He had further
provided the Emperor with some antique sculpture, eight important and ex-
pensive manuscript volumes from his own workshop and—possibly—some
printed books from his studio, for all of which he had been separately paid. The
design for the Neugebäude—date and wording of the source strongly suggests
that this was probably a general plan, not just a design for a minor detail—
is the only one of his recorded services that is in keeping with the function
he held and the salary he received. Several arguments can be proposed to ex-
plain this apparent discrepancy, linked on the one hand to the character of the
sources, on the other hand to the character of the services in themselves.
54 DOCS. 1575-12-00; 1576-05-00; 1576-08-00; 1577-02-13; 1577-02-18<b>; 1577-03-10; 1577-03-18;
1577-08-02; 1578-10-00; all seem to refer to payment for the same six volumes originally
delivered to Maximilian ii, for which Rudolf in August 1577 finally accorded a sum of 600
Thaler, but which were not yet actually paid in 1578.
55 DOC. 1577-11-00; the grant was probably intended as (part of?) the payment due to Strada
for the six books of the Series Imperatorum, though it might refer to other goods—works
of art, antiques, books from Strada’s Musaeum?—he had purveyed to the Emperor. It can-
not refer to his regular salary, since this is all accounted for in the financial deliberations
relating to his discharge in 1579.
56 DOCS. 1579-10-15; 1579-10-30; 1580-04-26(a, b, c); 1580-08-02; 1582-03-28; 1582-06-19.
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Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542