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Chapter
5274
to complete the unfinished Weißkunig, must have been eager to educate his
children according to the precepts of their illustrious ancestor. In that they
were possibly also confronted with the works of their great-grandfather’s
favourite artist, Albrecht Dürer. Besides the monumental eulogy of Maximil-
ian’s reign, the Ehrenpforte, these included three influential treatises. Dürer’s
treatise on the perfect proportion of the human body may not have come high
on the reading list provided by the boys’ tutors, but the other two would have
stood a better chance. The first, Underweysung der Messung, mit dem Zirckel
und Richtscheyt, in Linien, Ebenen unnd gantzen corporen (Nuremberg 1525)
could serve, perhaps in Camerarius’ Latin translation of 1532, as a practical
complement and commentary on Euclid, but it also was of immediate prac-
tical value for the practice of architecture. Thus the second topic of the first
section, the Schneckenlinie or snail’s line, basically explains the construction
of the volute of the Ionian capital. Likewise the third section, ‘Von den Cor-
perlichen dingen’, i.e. about three-dimensional objects, opens with the design
of columns, pilasters and obelisks, including the piers of a Gothic church, but
paying much more attention to the geometrical base of the classical column,
including the calculation of the entasis and the proportions of capitals, bases
and pedestals.
As future princes and generals, the young Archdukes also may have stud-
ied Dürer’s treatise on fortification, Etliche vnderricht, zu befestigung der Stett,
Schloß vnd Flecken, which had been published in Nuremberg in 1527, and in
which the laws of geometry were applied to an eminently practical topic.44 It
would be interesting to know whether they read more about architecture and
fortification, and if so, what. At the peace conference at Le Cateau-Cambrésis
Cardinal Granvelle had taken the English commanders to task for their neglect
of the newest developments in warfare, which had led to their loosing Calais to
the French. It was this that moved Sir William Cecil, Elizabeth’s prime minister,
to ask his agents on the continent to scout for capable engineers who might
be tempted to come to England: Jacopo Aconcio’s transfer to London, about
whom more below, was a first result. But he also asked them to inspect suit-
able examples on the spot and to collect documentary material. He moreover
asked Sir Nicholas Throckmorton, the Ambassador in France, for lists of avail-
able books on the topic, which he was studying himself: ‘I am now and then
occupied with Vitruvius De Architectura; and therefore if there be any writ-
ers besides Vitruvius, Leo Baptista [Alberti] and Albert Dürer (all which three
44 In his dedication to Ferdinand i, Dürer claims that he had written it specially for him:
‘Dieweil sich nun zudregt das E.Mt. etlich stett und flecken zu befestigenn verschaft
hat…’.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542