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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1
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Chapter 5276 first Italian translation. Moeover they may have actually read later abbrevia- tions and elucidations, for instance Diego de Sagredo’s Medidas de Romano, a dialogue explaining the basics of Vitruvian architecture that was first pub- lished in Toledo in 1526 and was repeatedly reprinted in French translations [Fig. 5.28].47 The 1540s saw a strongly increasing interest in the theory and practice of classical architecture: it produced the scholarly translation of Vitruvius by Daniele Barbaro, illustrated by Palladio, in 1556; the French translation, Archi- tecture ou Art de bien bastir, by Jean Martin (with illustrations by the famous sculptor, self-styled ‘Jean Goujon, studieux d’architecture’), also in 1547, and a German one a year later, Vitruvius Teutsch, by Walter Hermann Ryff (or Rivius) [Fig. 5.29], most of which were themselves influenced by the learned com- mentary on Vitruvius’ often obscure text by the French humanist Guillaume Philandrier.48 The same decade saw the publication of several new editions and transla- tions of Alberti’s De Re aedificatoria, as well as, from 1537 onward, that of several books of the extremely influential illustrated treatise of Sebastiano Serlio, which were almost immediately reprinted and translated in several languages, largely in Antwerp by Pieter Coecke van Aelst.49 The boom of architectural publishing of the period was probably stimulated by the tremendous success 47 M. Vitruvius per Iocundum solito castigatior factus cum figuris et tabula ut iam legi et intel- ligi possit, Venice (Tacuino) 1511; Di Lucio Vitruvio Pollione de architectura libri dece traducti de latino in vulgare affigurati, commentati et con mirando ordine insigniti, Como (Gotardus de Ponte) 1521 ; Diego de Sagredo, Medidas del romano neccessarias a los oficiales que qui- eren seguir las formaciones de las basas, columnas, capiteles y otras pieças de los edificios antiguos, Toledo, en casa d[e] Ramón de Petras, 1526, repeatedly reprinted; translated as Raison D’architecture antique, extraicte de Victruve et autres anciens architecteurs nouvel- lement traduit Despaignol en Francoys: alutilite de ceux qui se delectent en edifices, Paris, S. de Colines, s. d. [1536]; reprinted 1539, 1542 and later. 48 I dieci libri dell’architettura di M. Vitruvio tradutti et commentati da Monsignor Barbaro eletto patriarca dʼAquileggia, In Vinegia per Francesco Marcolini, 1556; Architecture ou Art de bien bastir, de Marc Vitruve Pollion Autheur Romain antique: mis de Latin en Fran- coys, par Ian Martin Secretaire de Monseigneur le Cardinal de Lenoncourt, Paris, Jacques Gazeau, 1547; reprinted 1572 and later; <Walther Ryff>, Vitruvius Teutsch. nemlichen des <…> Marci Vitruvius Pollonis zehen Bücher von der Architectur und künstlichem Bawen: ein Schlüssel und Einleitung aller mathematischen und mechanischen Künst <…> Erstmals ver- teutscht und in Truck verordnet durch Gualtherum H. Rivium <…>, Nürnberg [s.n.], 1548; Ryff was earlier involved in a Latin octavo edition printed at Strassburg in 1543; Guillaume Philandrier, In decem libros M. Vitruvii Pollionis de architectura annotationes <…>, Rome, G. Andrea Dossena, 1544, reprinted 1545 (twice!) and 1557, and added to Vitruvius editions of 1550 and 1552. 49 By 1560 these included the first five books of the treatise as well as the Extraordinario Libro in various editions; cf. Bury 1989.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 1
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
1
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
572
Categories
Biographien
Kunst und Kultur

Table of contents

  1. Preface XV
  2. Acknowledgements XVIII
  3. Acknowledgments of Financial Support Received XXI
  4. List of Abbreviations XXII
  5. Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
    1. 0.1 The Portraits of Jacopo and Ottavio Strada 1
    2. 0.2 Why are These Portraits so Special? 4
    3. 0.3 Motions of the Mind 4
    4. 0.4 What is Known About Strada: Early Notices 9
    5. 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
    6. 0.6 Kulturgeschichte before World War II 19
    7. 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
    8. 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
    9. 0.9 Contemporary Scholarship 25
    10. 0.10 What Has Not Been Written on Jacopo Strada 37
    11. 0.11 Weaving the Strands Together: The Purpose of this Study 39
  6. 1 Early Years: Family Background, Education, Giulio Romano 45
    1. 1.1 Family Background 45
    2. 1.2 Mantua and the Gonzaga 50
    3. 1.3 Formal Education 54
    4. 1.4 Artistic Training 57
    5. 1.5 Giulio’s Collections 60
    6. 1.6 Early Training as a Goldsmith? 63
    7. 1.7 Significance of his Mantuan Background for Strada’sDevelopment 65
  7. 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
    1. 2.1 Early Travels 67
    2. 2.2 Residence in Germany 69
    3. 2.3 The Landshut Hypothesis 71
    4. 2.4 Romance in Franconia: Strada’s Marriage and his Settling in Nuremberg 79
    5. 2.5 Strada and Wenzel Jamnitzer 83
  8. 3 In Hans Jakob Fuggers’s Service 107
    1. 3.1 Hans Jakob Fugger 107
    2. 3.2 Fugger as a Patron and Collector 114
    3. 3.3 Fugger’s Employment of Strada 121
    4. 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
    5. 3.5 Strada’s Trips to Lyon 137
    6. 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
    7. 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
    8. 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
    9. 3.9 Departure from Rome 183
  9. 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
    1. 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
    2. 4.2 The Controversy with Wolfgang Lazius 200
    3. 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
    4. 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
    5. 4.5 Conclusion 248
    6. 5 Jacopo Strada as an Imperial Architect: Background 251
    7. 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
    8. 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
    9. 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
    10. 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
    11. 5.5 The Architectural Infrastructure at the Imperial Court 319
    12. 5.6 Strada’s Competence as an Architect 331
  10. 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
    1. 6.1 The Hofspital 340
    2. 6.2 The Tomb of Maximilian I in Innsbruck 343
    3. 6.3 Interior Decoration 350
    4. 6.4 The Tanzhaus 352
    5. 6.5 The Stallburg 355
  11. 7 An Object Lesson: Strada’s House in Vienna 367
  12. 8 The Munich Antiquarium 383
    1. 8.1 The Commission 383
    2. 8.2 The Design of 1568 391
    3. 8.3 The Concept 393
    4. 8.4 Strada’s Project: The Drawings 398
    5. 8.5 Strada’s Project: The Building 401
    6. 8.6 The Interior Elevation 407
    7. 8.7 The Exterior Elevation and its Models 411
    8. 8.8 Conclusion: Strada’s Role in the Creation of the Antiquarium 421
  13. 9 The Neugebäude 430
    1. 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
    2. 9.2 Kaiserebersdorf and Katterburg 432
    3. 9.3 Sobriety versus Conspicuous Consumption 437
    4. 9.4 Hans Jakob Fugger’s Letter 438
    5. 9.5 Description of the Complex 441
    6. 9.6 The Personal Involvement of Emperor Maximilian II 455
    7. 9.7 Ottoman Influence? 463
    8. 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
    9. 9.9 Classical Sources: Monuments of Ancient Rome 480
    10. 9.10 Contemporary Italian Architecture 489
    11. 9.11 Strada’s Contribution 500
    12. 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
  14. 10 Other Patrons of Architecture 514
    1. 10.1 The Courtyard of the Landhaus in Graz 514
    2. 10.2 The Residence for Archduke Ernest 517
    3. 10.3 Other Patrons: Vilém z Rožmberk 520
    4. 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
    5. 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
    6. 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
    7. 10.7 Conclusion 542
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Jacopo Strada and Cultural Patronage at the Imperial Court