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116 These architects discussed in Kühnel 1958 and Kühnel 1959. On Landshut, see above, Ch.
2.3; the identification of De Preda with the supervising master at Landshut was first pro-
posed in Sarzi 1988.
117 Renaissance in Böhmen 1985, p. 207.
these among the architects and master-masons regularly employed at court.
Some of these had been working for his father and great-grandfather since de-
cades, such as the learned and versatile Moravian Hans Tscherte/ (Jan Čert; †
1552), the friend of Dürer and father-in-law of the painter Jakob Seisenegger,
who had settled in Vienna in 1509, or the master-mason Benedikt Kölbl († after
1569). Kölbl must have been a very competent master-builder, if he was allowed
to succeed Tscherte as chief architect in Vienna in the face of the criticism
that he could neither read nor write. Among the Italian masters we find Sigis-
mund de Preda (from Pisa, died probably ca 1549), who is first documented in
Vienna in 1543, and is possibly identical with the ‘Maister Sigmund’ who had
supervised the building of the Stadtresidenz at Landshut for Duke Ludwig x
of Bavaria, shortly before; and the Milanese Francesco da Pozzo (ca. 1501/2–
after 1558) who had entered Ferdinand’s service in 1538.116 In Prague some oth-
er masters were working, such as Paolo della Stella, the architect and possibly
the designer of the model for the Belvedere, the summer palace Ferdinand had
built for his consort, Queen Anna, in the gardens of the Hradčany. His two as-
sistants Giovanni Battista and Giovanni Maria Aostalli were members of one
of the dynasties of masons from Northern Italy that would remain so typical
for the history of architecture in Central Europe. They were responsible for
the completion of Ferdinand’s Belvedere, and—with Giovanni Lucchesi—for
the construction of Hvězda, Archduke Ferdinand’s star-shaped hunting-lodge
mentioned earlier.117
A central position was occupied by Hermes Schallautzer (1503–1561), a
member of an old patrician family with a strong political position in Vienna.
After the 1529 siege of Vienna he was put in charge of the new fortifications
and in 1544–1545 functioned as Proviantmeister, responsible for the provision-
ing of the troops fighting the Turks in Hungary. Doubtless he demonstrated his
talents in logistics, management and organisation, for a year later he became
a member of Ferdinand’s Council and was subsequently appointed Bausuper-
intendent, bearing the final executive responsibility for the ‘landesfürstlichen
Gebäude’ in Vienna, that is both the fortifications and all other construction
work undertaken by command of Ferdinand, such as the extensions of the
Hofburg. This was a position which had not existed before, and would not be
renewed after Schallautzer’s death. It was primarily a managing and coordinat-
ing task: it included the recruitment of suitable masons and the acquisition of
building materials for, as well as the financial administration of the current
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Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542