Page - 497 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1
Image of the Page - 497 -
Text of the Page - 497 -
497The
Neugebäude
would have heard about the Palazzo del Principe from Perino del Vaga himself,
‘in vita sua mio amicissimo’, and would have obtained drawings of it, possibly
with the graphic remains from Perino’s studio he acquired from his widow in
1554–1555.
Just as Maximilian was received in and was shown around the Palazzo Doria
at Fassolo by its owner, Charles v’s admiral, he must have been shown around
the Villa Gonzaga in Milan while passing through the city on his travels to and
from Spain: its patron was Ferrante Gonzaga, governor of Milan for Charles
v, and therefore Maximilian’s host.101 During Maximilian’s first trips the villa,
now named Vila Gonzaga-Simonetta, was still under construction; but as at
Genova there can be no doubt that Maximilian would have been shown it on
one of his later visits, if he was not actually lodged there: receiving high- ranking
guests was one of the principal functions of such representative residences.
Like the Palazzo del Principe, the Villa Gonzaga, built by the Tuscan architect
Domenico Giunti, opens up towards its gardens and surrounding landscape by
means of ample loggias [Fig. 9.90–9.91], in this case consisting of colonnades,
rather than columns carrying arcades. It was thus more Vitruvian and up-to-
date than the Palazzo del Principe. Both these loggias and the twin fishponds
in front of the garden facade may later have stimulated Maximilian’s ideas for
the Neugebäude.
101 On the villa Gonzaga-Simonetta, see Robert Ribaud, ‘Villa Simonetta’ [= scheda on the
website LombardiaBeniCulturali, www.lombardiabeniculturali.it/architetture/schede/
LMD80-00549/, consulted 12-12-2013. Engravings of the villa by Marc’Antonio Dal Re were
included in Ville di delizia nello Stato di Milano, 1726. Maximilian visited Milan in 1548 (7–
9 July), in 1550 (late in November), 1551 (30 June–1 July and 2–5 December) [Holtzmann
1903, p. 83 and note 6; p. 99; p. 141, 144–145].
Figures 9.90–9.91 The Villa Gonzaga-Simonetta in Milan, built 1547–1555 after designs by
Domenico Giunti, in a print by Marc’Antonio dal Re (1726); and the
principal façade.
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542