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were neighbours: Strein lived on the site of the present Palais Starhemberg,
across the Vordere Schenkengasse, almost opposite Strada.33 That they did
have contact on scholarly topics is clear from the fact that it was Strein who,
in June 1573, presented Strada’s request for letters of recommendation from
the Emperor to various princes of the Empire, to induce them to subsidize the
huge scholarly publishing programme he was setting up.34
Strein may well have been willing to promote Strada’s scholarly projects in
other ways. Thus it may have been through his recommendation that Strada
came in contact with Henricus Glareanus and François Hotman, two of the
teachers Strein had studied with, and whom he highly praises in the preface
of his De gentibus. With Aldus Manutius the younger and Fulvio Orsini, whom
Strada knew through his presence or contacts in Venice and Rome, these two
outstanding scholars contributed to the first complete edition of Caesar’s Com-
mentaries, which Strada intended to publish in France, and for which he ob-
tained a copyright privilege of King Charles ix on Christmas day of 1572.35
If they shared such interests and enthusiasm, it is obvious that—once
Strein began planning architectural projects—he would have recourse to the
documentation in his neighbour’s Musaeum and to his expertise in this field.
And Strein was planning architectural projects almost all the time: his family
was very wealthy, and he and his brothers together owned and sometimes re-
built something close to twenty-five castles and country houses in Lower Aus-
tria and Moravia.36
Reichard Strein’s principal seat was the huge castle of Freidegg in Ferschnitz
in Lower Austria, which he had almost completely reconstructed between 1575
and 1594 [Fig. 10.36]. Almost nothing of all this remains; the Streins died out
in the seventeenth century and there are no family archives documenting the
genesis of this or the other projects undertaken by Reichard. Nevertheless one
of his creations is still standing, the ancestral seat from which he derived his
33 Grossmann 1927.
34 Doc. 1573-06-00, Strada to the Imperial Vice-Chancellor Weber: ‘Io creddo che la Signoria
Vostra avera auto la mia suplica che’l Signor Strain à mandato avanti hieri alla Signoria
Vostra’. On this project, see Jansen 2004, pp. 184–185 and below, Ch. 14.
35 On this edition, printed in Frankfurt in 1575, see Jansen 2004, pp. 189–191 and below,
Ch. 14.5.3.
36 Recently discussed in Alena Skrabanek’s outstanding master-thesis dedicated to the
architecture of Ungarschitz/ Uherčice, the one substantial estate the Strein family
owned in Moravia: Skrabanek 2008, esp. pp. 35–38 ‘Exkurs: Genealogie und Herrschafts-
struktur der Streun von Schwarzenau’ and pp. 39–40 ‘Exkurs: Nebensitze der Streun in
Niederösterreich’.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542