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185In
Hans Jakob Fugger’s Service
Cervini succeeding him, and hearing that I intended to return to Ger-
many, made me reaffirm my service. But he as well passing into a better
world in a short time, I decided to leave <…>141
I have found no confirmation of these claims, and we have no inkling what
kind of service Strada would have been expected to render Julius iii. Cervini’s
close involvement in the antiquarian scholarship of the Vitruvian Academy
promised opportunities of employment, but his death after a pontificate of
hardly three weeks, and the consecutive election of the puritan Gian Pietro
Carafa, as Pope Paul iv, shattered any illusions Strada may have had about a
career in Rome.
So he decided to pack up his trunks again and to move back to Nuremberg
with his household, which by now consisted of himself, his wife and at least
two young children, perhaps one or more assistants and doubtless one or two
servants. Apart from personal luggage he carried with him his acquisitions
on behalf of Fugger—which included a quantity of antique marbles—and
the accretions to his own collection, including the work he and his assistants
had done in Rome. The road to Germany, across the Brenner, brought him to
Mantua, and he must have been quite happy to have the opportunity to visit
his native city, to meet his family perhaps for the first time in many years, to
present his wife to them, and to show her and his children the splendour of
what was, after all, their fatherland. Doubtless he went to pay his respects to
the young Duke, Guglielmo Gonzaga, and his guardian and at the time regent
of the Duchy, Cardinal Ercole. His documented visit to Raffaello Pippi, son
and heir of Giulio Romano, from whom he acquired his father’s drawings, has
already been discussed. But probably Strada also renewed contacts with many
old friends and colleagues. These included his exact contemporary, Giovanni
Battista Bertani, who had succeeded Giulio Romano as first architect to the
Gonzaga, and who shared Strada’s antiquarian enthusiasm; and the engraver
Giovan Battista Scultori, who appears to have been interested in ancient coins,
since in the Διασκευέ Strada described a few coins that he had seen in Scultori’s
collection. These contacts would be useful later in his career: both Bertani and
Scultori were employed by Strada in the late 1560s.
It is not known when exactly Strada left Rome, when he arrived in Mantua,
and when he finally arrived back in Nuremberg: winding up his affairs in Rome
after the sudden death of Marcellus ii in May 1555 must have taken some time,
and the trip to Mantua may have been a leisurely one: unless travelling by sea
as far as Genoa, it can be assumed that the company travelled via Florence and
141 Strada’s preface to Serlio 1575.
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 1
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 1
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 572
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542