Seite - 375 - in Re-Reading Hanslick's Aesheticts - Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen

Forschungsliteratur 375 Kirwan, James: Beauty, Manchester/New York 1999. Kivy, Peter: The Corded Shell: Reflections on Musical Expression, Princeton 1980 (Princeton Essays on the Arts 9). — Sound and Semblance: Reflections on Musical Representation, Ithaca/London ²1991 (Princeton/Oxford 1984). — Sound Sentiment: An Essay on the Musical Emotions. Including the Compleat Text of ‚The Corded Shell‘, Philadelphia 1989 (The Arts and Their Philosophies). — Music Alone: Philosophical Reflections on the Purely Musical Experience, Ithaca/ London 1990. — The Fine Art of Repetition: Essays in the Philosophy of Music, Cambridge 1993. — Authenticities: Philosophical Reflections on Musical Performance, Ithaca/London 1995. — Philosophies of Arts: An Essay in Differences, Cambridge 1997. — New Essays on Musical Understanding, Oxford 2001. — Introduction to a Philosophy of Music, Oxford 2002. — Antithetical Arts: On the Ancient Quarrel Between Literature and Music, Oxford 2009. — Sounding Off: Eleven Essays in the Philosophy of Music, Oxford 2012. — „Charles Darwin on Music“, in JAMS 12/1 (1959), S.  42–48, oder in ders., The Fine Art of Repetition: Essays in the Philosophy of Music, Cambridge 1993, S.  214–225. — „Mattheson as Philosopher of Art“, in MQ 70/2 (1984), S.  248–265, oder in ders., The Fine Art of Repetition: Essays in the Philosophy of Music, Cambridge 1993, S.  229–249. — „How Music Moves“, in What is Music? An Introduction to the Philosophy of Music, hrsg. von Philip Alperson, University Park ²1994 (1987), S.  147–163, oder in ders., Music Alone: Philosophical Reflections on the Purely Musical Expe- rience, Ithaca/London 1990, S.  146–172, oder in Aesthetics: Critical Concepts in Philosophy, 4 Bde., hrsg. von James O. Young, London/New York 2005, Bd.  4, S.  19–32. — „Something I’ve Always Wanted to Know About Hanslick“, in JAC 46/3 (1988), S.  413–417, oder in ders., The Fine Art of Repetition: Essays in the Phi- losophy of Music, Cambridge 1993, S.  265–275. — „A New Music Criticism?“, in MON 73/2 (1990), S.  247–268, oder in ders., The Fine Art of Repetition: Essays in the Philosophy of Music, Cambridge 1993, S.  296–323. — „What Was Hanslick Denying?“, in JM 8/1 (1990), S.  3–18, oder in ders., The Fine Art of Repetition: Essays in the Philosophy of Music, Cambridge 1993, S.  276–295.