Seite - 387 - in Re-Reading Hanslick's Aesheticts - Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen

Forschungsliteratur 387 — „What Was Critical Musicology?“, in Radical Musicology 5 (2011) [http:// www.radical-musicology.org.uk/special_critmus/maus.htm, 14.04.2015]. — „Hanslick’s Composers“, in Rethinking Hanslick: Music, Formalism, and Ex- pression, hrsg. von Nicole Grimes, Siobhán Donovan und Wolfgang Marx, Rochester/Woodbridge 2013 (Eastman Studies in Music), S.  38–51. Maus, Fred Everett, Glenn Stanley, Katherine Ellis, Leanne Langley, Nigel Scaife, Marcello Conati, Marco Capra, Stuart Campbell, Mark N. Grant und Edward Rothstein: „Criticism“, in New Grove², London 2001, Bd.  6, S.  670–698. Mauser, Siegfried: „Strawinskys ‚Musikalische Poetik‘ und Hanslicks ‚Vom Musikalisch-Schönen‘, in MK 34–35 (1984), S.  89–98. Mayring, Philipp und Dieter Ulich: Psychologie der Emotionen, Stuttgart/Berlin/ Köln 1992 (Grundriß der Psychologie 5). Mazzola, Guerino, Maria Mannone und Yan Pang: Cool Math for Hot Music: A First Introduction to Mathematics for Music Theorists, Cham 2016. McAlpin, Colin: „Is Music the Language of the Emotions?“, in MQ 11/3 (1925), S.  427–443. McClary, Susan: Feminine Endings: Music, Gender, and Sexuality, Minneapolis/ London ²2001 (1991). — Conventional Wisdom: The Content of Musical Form, Berkeley/Los Angeles/ London 2000 (Ernest Bloch Lectures). — Reading Music: Selected Essays, Aldershot/Burlington 2007 (Contemporary Thinkers on Critical Musicology 5). — „The Blasphemy of Talking Politics During Bach Year“, in Music and Soci- ety: The Politics of Composition, Performance, and Reception, hrsg. von Richard Leppert und Susan McClary, Cambridge 1987, S.  13–62, oder in dies., Reading Music: Selected Essays, Aldershot/Burlington 2007 (Contemporary Thinkers on Critical Musicology 5), S.  15–64. — „Narrative Agendas in ‚Absolute‘ Music: Identity and Difference in Brahms’s Third Symphony“, in Musicology and Difference: Gender and Sexuality in Music Scholarship, hrsg. von Ruth A. Solie, Berkeley/Los Angeles/London 1993, S.  326–344, oder in dies., Reading Music: Selected Essays, Aldershot/Bur- lington 2007 (Ashgate Contemporary Thinkers on Critical Musicology  5), S.  65–83. McCloskey, Mary A.: Kant’s Aesthetic, London 1987. McColl, Sandra: Music Criticism in Vienna 1896–1897: Critically Moving Forms, Oxford 1996 (Oxford Monographs on Music). — „To Bury Hanslick or to Praise Him? The Obituaries of August 1904“, in Musicology Australia 18/1 (1995), S.  39–51.