Seite - 420 - in Re-Reading Hanslick's Aesheticts - Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen

Literaturverzeichnis 420 Yanal, Robert J.: Paradoxes of Emotion and Fiction, University Park 1999. — „Kant on Aesthetic Ideas and Beauty“, in Institutions of Art: Reconsiderations of George Dickie’s Philosophy, hrsg. von Robert J. Yanal, University Park 1994, S.  157–183. — „Hanslick’s Third Thesis“, in BJA 46/3 (2006), S.  259–266. Yoshida, Hiroshi: „Eduard Hanslick and the Idea of ‚Public‘ in Musical Cul- ture: Towards a Socio-Political Context of Formalistic Aesthetics“, in IRASM 32/2 (2001), S.  179–199. Youmans, Charles: Richard Strauss’s Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism, Bloomington/Indi- anapolis 2005. Young, James O.: „The Ancient and the Modern System of the Arts“, in BJA 55/1 (2015), S.  1–17. Zammito, John H.: The Genesis of Kant’s Critique of Judgment, Chicago/London 1992. Zangwill, Nick: The Metaphysics of Beauty, Ithaca/London 2001. — Music and Aesthetic Reality: Formalism and the Limits of Description, New York/ London 2015. — „UnKantian Notions of Disinterest“, in BJA 32/2 (1992), S.  149–152, oder in Kant’s ‚Critique of the Power of Judgment‘: Critical Essays, hrsg. von Paul Guyer, Lanham u.a. 2003 (Critical Essays on the Classics), S.  63–66. — „The Beautiful, the Dainty, and the Dumpy“, in BJA 35/4 (1995), S.  317– 329, oder in ders., The Metaphysics of Beauty, Ithaca/London 2001, S.  9–23. — „Feasible Aesthetic Formalism“, in Noûs 33/4 (1999), S.  610–629, oder in ders., The Metaphysics of Beauty, Ithaca/London 2001, S.  55–81. — „In Defence of Moderate Aesthetic Formalism“, in PQ 50 (2000), S.  476– 493, oder in ders., The Metaphysics of Beauty, Ithaca/London 2001, S.  82–101. — „Against Emotion: Hanslick Was Right About Music“, in BJA 44/1 (2004), S.  29–43, oder in ders., Music and Aesthetic Reality: Formalism and the Limits of Description, New York/London 2015, S.  27–40. — „Empirical Approaches to Music and Emotion: A Survey and Methodo- logical Reflections“, in O Que Nos Faz Pensar 32 (2014), S.  99–107, oder in ders., Music and Aesthetic Reality: Formalism and the Limits of Description, New York/London 2015, S.  65–70. — „Friends Reunited: Susan McClary and Musical Formalism“, in MT 155 (2014), S.  63–69, oder in ders., Music and Aesthetic Reality: Formalism and the Limits of Description, New York/London 2015, S.  127–133. — „Re-Centring Musicology and the Philosophy of Music“, in JAP 1/2 (2014), S.  231–240.