Seite - 254 - in Medienraum Diaspora - Verortungen zeitgenössischer iranischer Diasporafilme

258 Bibliographie Naficy, Hamid. The Islamicate Period, 1978–1984. Durham: Duke University Press, 2012. Druck. 2. Band von A Social History of Iranian Cinema. ---. The Globalizing Era, 1984–2010. Durham: Duke University Press, 2012. Druck. 4. Band von A Social History of Iranian Cinema. ---. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press, 2001. Druck. ---. „Framing Exile: From Homeland to Homepage“. Home, Exile, Homeland: Film, Media, and the Politics of Place, hg. von Hamid Naficy. New York: Routledge, 1999. S. 1–16. Druck. ---. The Making of Exile Cultures: Iranian Television in Los Angeles. Minneap- olis: University of Minnesota Press, 1993. Druck. Naghibi, Nima, und Andrew O’Malley. „Estranging the Familiar: ,East‘ and ,West‘ in Satrapi’s Persepolis“. English Studies in Canada 31.2–3, 2005, S. 223–48. Web. 3. Apr. 2017. Nagib, Lúcia. „Towards a Positive Definition of World Cinema“. Remapping World Cinema: Identity, Culture and Politics in Film, hg. von Stephanie Den- nison und Song H. Lim. London/New York: Wallflower, 2006. 26–33. Druck. Neshat, Shirin. „Extras“. Zanan bidun-i mardan [Women Without Men]. Indi- ePix, 2010. DVD. Newman, Kathleen. „Notes on Transnational Film Theory: Decentered Subjec- tivity, Decentered Capitalism“. World Cinemas, Transnational Perspectives, hg. von Nataša Durovičová und Kathleen Newmann. New York: Routledge, 2010. Druck. Nichols, Bill. Introduction to Documentary. 2. Aufl. Bloomington: Indiana Uni- versity Press, 2001. Druck.