Seite - 373 - in Re-Reading Hanslick's Aesheticts - Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen

Forschungsliteratur 373 — „Shostakovich’s Tenth Symphony and the Musical Expression of Cogniti- vely Complex Emotions“, in JAC 53/4 (1995), S.  401–415, oder in Music and Meaning, hrsg. von Jenefer Robinson, Ithaca/London 1997, S.  154–178. — „Yet Again: ‚Between Absolute and Programme Music‘“, in BJA 55/1 (2015), S.  19–37. Karnes, Kevin: Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna, Oxford/New York 2008 (AMS Studies in Music). — „Eduard Hanslick’s History: A Forgotten Narrative of Brahms’s Vienna“, in ABSN 22/2 (2004), S.  1–5. Kasunic, David: „On ‚Jewishness‘ and Genre: Hanslick’s Reception of Gustav Mahler“, in Rethinking Hanslick: Music, Formalism, and Expression, hrsg. von Nicole Grimes, Siobhán Donovan und Wolfgang Marx, Rochester/Wood- bridge 2013 (Eastman Studies in Music), S.  311–338. Katz, Ruth: Divining the Powers of Music: Aesthetic Theory and the Origins of Ope- ra, New York 1986 (Aesthetics in Music 3). — A Language of Its Own: Sense and Meaning in the Making of Western Art Music, Chicago/London 2009. Keil, Werner (Hrsg.): Basistexte Musikästhetik und Musiktheorie, Paderborn 2007. Keiler, Allan: „The Origins of Schenker’s Thought: How Man is Musical“, in JMT 33/2 (1989), S.  273–298. Keller, Marcello: „Why is Music so Ideological, and Why do Totalitarian States Take It So Seriously? A Personal View from History and the Social Scien- ces“, in JMR 26/2–3 (2007), S.  91–122. Kemal, Salim: Kant’s Aesthetic Theory: An Introduction, London ²1997 (1992). Kennick, W.  E. (Hrsg.): Art and Philosophy: Readings in Aesthetics, New York 1964. — „Does Traditional Aesthetics Rest on a Mistake?“, in Mind 67 (1958), S.  317–334, oder in Collected Papers on Aesthetics, hrsg. von Cyril Barrett, Malden/Oxford 1965, S.  1–21, oder in Contemporary Philosophy of Art: Rea- dings in Analytic Aesthetics, hrsg. von John W. Bender und H. Gene Blocker, Englewood Cliffs/Prentice Hall 1993, S.  134–144. Kenny, Anthony: Action, Emotion, and Will, London/New York/Boston 1963. Kerman, Joseph: Contemplating Music: Challenges to Musicology, Cambridge, Mass. 1985.1672 — „Hanslick’s Critics. Vienna’s Golden Years of Music by Eduard Hanslick: Henry Pleasants III“, in HR 4/4 (1952), S.  607–611. — „Wagner: Thoughts in Season“, in HR 13/3 (1960), S.  329–349, oder in ders., 1672 Ebenfalls erschienen als: Musicology, London 1985.