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last kind of madness, which was also said to be the best, we spoke of the
affection of love in a figure, into which we introduced a tolerably credible and
possibly true though partly erring myth, which was also a hymn in honour of
Love, who is your lord and also mine, Phaedrus, and the guardian of fair
children, and to him we sung the hymn in measured and solemn strain.
PHAEDRUS: I know that I had great pleasure in listening to you.
SOCRATES: Let us take this instance and note how the transition was
made from blame to praise.
PHAEDRUS: What do you mean?
SOCRATES: I mean to say that the composition was mostly playful. Yet in
these chance fancies of the hour were involved two principles of which we
should be too glad to have a clearer description if art could give us one.
PHAEDRUS: What are they?
SOCRATES: First, the comprehension of scattered particulars in one idea;
as in our definition of love, which whether true or false certainly gave
clearness and consistency to the discourse, the speaker should define his
several notions and so make his meaning clear.
PHAEDRUS: What is the other principle, Socrates?
SOCRATES: The second principle is that of division into species according
to the natural formation, where the joint is, not breaking any part as a bad
carver might. Just as our two discourses, alike assumed, first of all, a single
form of unreason; and then, as the body which from being one becomes
double and may be divided into a left side and right side, each having parts
right and left of the same name—after this manner the speaker proceeded to
divide the parts of the left side and did not desist until he found in them an
evil or left-handed love which he justly reviled; and the other discourse
leading us to the madness which lay on the right side, found another love, also
having the same name, but divine, which the speaker held up before us and
applauded and affirmed to be the author of the greatest benefits.
PHAEDRUS: Most true.
SOCRATES: I am myself a great lover of these processes of division and
generalization; they help me to speak and to think. And if I find any man who
is able to see ‘a One and Many’ in nature, him I follow, and ‘walk in his
footsteps as if he were a god.’ And those who have this art, I have hitherto
been in the habit of calling dialecticians; but God knows whether the name is
right or not. And I should like to know what name you would give to your or
to Lysias’ disciples, and whether this may not be that famous art of rhetoric
533
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Buch The Complete Plato"
The Complete Plato
- Titel
- The Complete Plato
- Autor
- Plato
- Datum
- ~347 B.C.
- Sprache
- englisch
- Lizenz
- PD
- Abmessungen
- 21.0 x 29.7 cm
- Seiten
- 1612
- Schlagwörter
- Philosophy, Antique, Philosophie, Antike, Dialogues, Metaphysik, Metaphysics, Ideologie, Ideology, Englisch
- Kategorien
- Geisteswissenschaften
- International