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are not so very soft, but in the hearts and souls of both gods and men, which
are of all things the softest: in them he walks and dwells and makes his home.
Not in every soul without exception, for where there is hardness he departs,
where there is softness there he dwells; and nestling always with his feet and
in all manner of ways in the softest of soft places, how can he be other than
the softest of all things? Of a truth he is the tenderest as well as the youngest,
and also he is of flexile form; for if he were hard and without flexure he could
not enfold all things, or wind his way into and out of every soul of man
undiscovered. And a proof of his flexibility and symmetry of form is his
grace, which is universally admitted to be in an especial manner the attribute
of Love; ungrace and love are always at war with one another. The fairness of
his complexion is revealed by his habitation among the flowers; for he dwells
not amid bloomless or fading beauties, whether of body or soul or aught else,
but in the place of flowers and scents, there he sits and abides. Concerning the
beauty of the god I have said enough; and yet there remains much more which
I might say. Of his virtue I have now to speak: his greatest glory is that he can
neither do nor suffer wrong to or from any god or any man; for he suffers not
by force if he suffers; force comes not near him, neither when he acts does he
act by force. For all men in all things serve him of their own free will, and
where there is voluntary agreement, there, as the laws which are the lords of
the city say, is justice. And not only is he just but exceedingly temperate, for
Temperance is the acknowledged ruler of the pleasures and desires, and no
pleasure ever masters Love; he is their master and they are his servants; and if
he conquers them he must be temperate indeed. As to courage, even the God
of War is no match for him; he is the captive and Love is the lord, for love,
the love of Aphrodite, masters him, as the tale runs; and the master is stronger
than the servant. And if he conquers the bravest of all others, he must be
himself the bravest. Of his courage and justice and temperance I have spoken,
but I have yet to speak of his wisdom; and according to the measure of my
ability I must try to do my best. In the first place he is a poet (and here, like
Eryximachus, I magnify my art), and he is also the source of poesy in others,
which he could not be if he were not himself a poet. And at the touch of him
every one becomes a poet, even though he had no music in him before (A
fragment of the Sthenoaoea of Euripides.); this also is a proof that Love is a
good poet and accomplished in all the fine arts; for no one can give to another
that which he has not himself, or teach that of which he has no knowledge.
Who will deny that the creation of the animals is his doing? Are they not all
the works of his wisdom, born and begotten of him? And as to the artists, do
we not know that he only of them whom love inspires has the light of fame?
—he whom Love touches not walks in darkness. The arts of medicine and
archery and divination were discovered by Apollo, under the guidance of love
and desire; so that he too is a disciple of Love. Also the melody of the Muses,
567
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Buch The Complete Plato"
The Complete Plato
- Titel
- The Complete Plato
- Autor
- Plato
- Datum
- ~347 B.C.
- Sprache
- englisch
- Lizenz
- PD
- Abmessungen
- 21.0 x 29.7 cm
- Seiten
- 1612
- Schlagwörter
- Philosophy, Antique, Philosophie, Antike, Dialogues, Metaphysik, Metaphysics, Ideologie, Ideology, Englisch
- Kategorien
- Geisteswissenschaften
- International