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neither is he to be called a sailor; the name pilot by which he is distinguished has nothing to do with sailing, but is significant of his skill and of his authority over the sailors. Very true, he said. Now, I said, every art has an interest? Certainly. For which the art has to consider and provide? Yes, that is the aim of art. And the interest of any art is the perfection of it—this and nothing else? What do you mean? I mean what I may illustrate negatively by the example of the body. Suppose you were to ask me whether the body is selfsufficing or has wants, I should reply: Certainly the body has wants; for the body may be ill and require to be cured, and has therefore interests to which the art of medicine ministers; and this is the origin and intention of medicine, as you will acknowledge. Am I not right? Quite right, he replied. But is the art of medicine or any other art faulty or deficient in any quality in the same way that the eye may be deficient in sight or the ear fail of hearing, and therefore requires another art to provide for the interests of seeing and hearing—has art in itself, I say, any similar liability to fault or defect, and does every art require another supplementary art to provide for its interests, and that another and another without end? Or have the arts to look only after their own interests? Or have they no need either of themselves or of another?—having no faults or defects, they have no need to correct them, either by the exercise of their own art or of any other; they have only to consider the interest of their subject-matter. For every art remains pure and faultless while remaining true—that is to say, while perfect and unimpaired. Take the words in your precise sense, and tell me whether I am not right. Yes, clearly. Then medicine does not consider the interest of medicine, but the interest of the body? True, he said. Nor does the art of horsemanship consider the interests of the art of horsemanship, but the interests of the horse; neither do any other arts care for themselves, for they have no needs; they care only for that which is the 1028
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The Complete Plato
Titel
The Complete Plato
Autor
Plato
Datum
~347 B.C.
Sprache
englisch
Lizenz
PD
Abmessungen
21.0 x 29.7 cm
Seiten
1612
Schlagwörter
Philosophy, Antique, Philosophie, Antike, Dialogues, Metaphysik, Metaphysics, Ideologie, Ideology, Englisch
Kategorien
Geisteswissenschaften
International

Inhaltsverzeichnis

  1. Part 1 - Early Dialogues 3
    1. The Apology 4
    2. Charmides 37
    3. Laches 64
    4. Lysis 88
    5. Euthyphro 113
    6. Menexenus 131
    7. Ion 144
    8. Gorgias 157
    9. Protagoras 246
    10. Meno 296
  2. Part 2 - Middle Dialogues 332
    1. Euthydemus 333
    2. Craytlus 375
    3. Phaedo 436
    4. Phaedrus 498
    5. The Symposium 548
    6. Theaetetus 590
    7. Parmenides 670
  3. Part 3 - Late Dialogues 733
    1. Sophist 734
    2. Statesman 803
    3. Philebus 867
    4. Timaeus 937
    5. Critias 997
  4. Part 4 - The Republic 1010
    1. Book I 1011
    2. Book II 1044
    3. Book III 1072
    4. Book IV 1108
    5. Book V 1139
    6. Book VI 1176
    7. Book VII 1207
    8. Book VIII 1236
    9. Book IX 1267
    10. Book X 1292
  5. Part 5 - The Laws 1320
    1. Book I 1321
    2. Book II 1346
    3. Book III 1368
    4. Book IV 1394
    5. Book V 1413
    6. Book VI 1430
    7. Book VII 1459
    8. Book VIII 1493
    9. Book IX 1513
    10. Book X 1539
    11. Book XI 1565
    12. Book XII 1587
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